Tag Archives: book purchasing

Reality Check

I’ve written before on this blog of my passion for encouraging literacy, particularly among children; if I had my way, every child on this planet would be exposed to books at as early an age as possible. If there was one thing I could do – given unlimited power and funds – it would be to equip every child in the world with their own mini-library, and with the skills to read it. I truly feel that one of the most useful things we can do for our future generations is to ensure they can read as well as they are able, and that they read as widely as possible.

Of course, there are children who just don’t like to read – that’s sad, but it’s a fact. However, they should, at least, be given the opportunity to read, and encouraged to try, and exposed to as many different types of book as possible, just in case something might engage their imagination and spark off their interest. I have a belief – and it may be a naive and silly belief, but it’s mine just the same – that there is a book for every child.

A sight that gladdens my heart... Image: shannonbrown.typepad.com

A sight that gladdens my heart…
Image: shannonbrown.typepad.com

Yesterday, I had an opportunity to put this belief into practice. I was in a bookshop – one with which I’m long familiar, and which I can never resist dipping into if I’m close enough to visit it – and I was, of course, browsing intently in the children’s section. A young mother approached me, her six-year-old daughter in tow, and asked me my opinion on what she should purchase for her little girl to read.

I’m not sure if she thought I was a staff member, or if it was a case of ‘once a bookseller, always a bookseller’ and she caught the whiff of enthusiastic knowledge from me, but whatever the reason for her question, I was happy to help. I learned this lady was the mother of a ten-year-old, the six-year-old I had the pleasure of meeting, and a four-year-old, all girls. The eldest child was a strong and enthusiastic reader, she told me, but the others struggled. They found it hard to emulate their sister, and found themselves bored by a lot of the books they’d tried in the past. They liked ‘funny’ books, and were growing tired of the princessy-type, pink and glitter books that they had once loved.

I threw my eyes around the shelves, and came up with a few ideas. Andy Stanton’s ‘Mr Gum’ books were my first suggestion, followed by Francesca Simon’s ‘Horrid Henry’ series (enthusiastically grabbed by the six-year-old); for the older girls, I thought of Jeremy Strong’s ‘There’s a Viking in my Bed!’ and the wonderful books of David Walliams, which are funny but also sweet and uplifting, with a comforting focus on love and friendship and family, so important to young readers. I think the lady was touched by my efforts and glad of the suggestions, and I certainly appreciated being asked for help.

Image: waterstones.com

Image: waterstones.com

However, as pleased as I was to have helped these young readers to find something good to exercise their brains, there was one aspect of the situation that has been on my mind ever since, and it centres on the fact that the bookshop we happened to be in was one that deals exclusively in second-hand books. The reason I like to go there so often is because I always find new authors to follow and new series to start collecting, and it’s fantastic to dig around in the piles of books and uncover some lost classics and rarities. It’s also wonderful to be able to pick up a book for less money than it would be if I bought it new – but with a view, always, to purchasing the writer’s back catalogue in a ‘proper’ bookshop if I like what I buy second-hand. I discovered Catherine Fisher this way; I got heavily into Kate Thompson by browsing the shelves of this very shop. The same thing applies to Jenny Nimmo, who I adore, and most of whose books I have subsequently purchased new. Sometimes, I don’t mind buying books second-hand if the author is deceased, or if their work is out of copyright – then, I don’t feel like I’m dipping my hand into a fellow writer’s pocket and taking their earnings from them – but normally I try to purchase books new as often as I can. Not everyone feels this way, for a variety of reasons – some of them excellent, unassailably logical reasons.

The mother of these young readers, for instance, was enthusiastic about second-hand books not because they were a gateway to new writers and their back catalogues, but because of their cheapness and relative ‘disposability’; it’s always easier to give a book away, or not to mind if it gets wet or torn or dirty, if you didn’t buy it ‘new’. I can’t blame the lady for thinking this way – as important as it is for children to read, it’s also important for them to have shoes and clothes and school uniforms and food, of course, and I can completely understand why new books would slide down a parent’s list of priorities. But, as an aspiring writer, I couldn’t help but feel a pang of pain at the thought.

Every book bought second-hand benefits, in financial terms, nobody but the person selling it; the author gets nothing. If a book is borrowed in a library, at least the author gets a tiny fraction of a payment for it. It’s tough, realising that something which benefits readers so much (i.e. second-hand book purchasing) can be such a bad thing from a writer’s point of view, but that is the reality of the world we live in. I do not judge the lady I helped for her choice, particularly because I also frequent second-hand bookshops (though I do try to support the authors I love as much as I can); I just hope that, perhaps, encouraging children to read when they’re young will turn them into not only enthusiastic consumers of books, but also enthusiastic supporters of writers when they grow older, thereby ensuring there will always be a flow of new books to read. I also hate reducing the whole ‘book creation-book consumption’ thing to crass economic terms, but that’s a reality, too. Writers need to earn a living, however meagre, and that’s becoming harder and harder with every passing year.

It’s important to clearly state that of course I believe it’s more important to encourage children to read than it is to ensure they only read from brand-new books – literacy concerns trump all else – but thoughts of ‘what will become of writers?’ have been playing on my mind since my encounter with this lady, nonetheless. I’d love to hear your opinions on this, if you have any. If you buy your books in hard copy, do you like to browse in second-hand shops? What’s your thinking on the economic issues I’ve laid out here? Do tell.

Happy Tuesday! And, naturally, I hope you’re reading, no matter where you bought your book.

Just Wondering…

Hello, hallo, hullo. Good morrow to you.

I’m here listening to some Pink Floyd, and it has put me in a very mellow mood indeed. Life seems great (despite my rapidly advancing age – see yesterday’s blog!) and all sorts of frivolities are flipping about in my cavernous skull. Today, I’m thinking about reading, and how you know whether you’ll like a book or not. Do you judge its cover (despite all the warnings against it!) or is it the ‘blurb’ that attracts you to a story? Have you ever made any serious errors of judgement in your reading life? How far into a book do you have to be before you’d consider writing it off as a lost cause, or are you the type of reader who will doggedly persist no matter how poor the doggerel you’re slogging through, a sort of ‘finish or perish’ mentality?

I’m not wondering this because of anything I’ve read recently – in fact, it’s been a long, long time since I came across a book I just couldn’t force myself to finish. Many years ago, I boasted, filled with the hubris of youth, that I *never* left a book unread if I started it. A friend promptly challenged me to read L. Ron Hubbard’s ‘Dianetics’; I think I may have reached page 4 before my brain started to mount a rebellion against my eyes, and I had to shut the thing and fling it as far from me as possible. Since then, there have been some others that didn’t make it much further than the starting blocks – another friend asked if I could possibly read ‘Mein Kampf’ (the answer is, of course, ‘no’, though I did give it a go, albeit briefly). Also, there are some classics which I just couldn’t manage – one of them is ‘Middlemarch’, about which I’ve had some impassioned arguments over the years. I don’t care what anyone says – Casaubon is a character that should just never have existed, end of story. I read the beginning of ‘Middlemarch’, and the last 50 pages or so, leaving about 80% of it unread, and still managed to write a passable essay on it while at university. This is less a statement of my own intellectual prowess as it is an indictment of the Irish higher education system, but I digress.

In recent years, I started ‘Wolf Hall’ but didn’t manage to finish it (though I do intend to go back to it as soon as I can clear enough space in my head – so, probably not till the New Year); I also started Nicola Barker’s ‘Darkmans’, which I really liked, but just wasn’t able to get my head around. I think my bookmark sits forlornly at about page 140, where it has remained for about three years. I intend to chivvy it along one of these days, and finish the book, but for whatever reason, I just haven’t been able to manage it. A recent book which I came this close to finishing, but for some reason didn’t, was ‘Embassytown’ (China Mieville); it’s a work of genius, but at the time I tried to read it I didn’t have the opportunity to devote my unbroken, full attention to it. I was trying to snatch ten pages here, fifteen pages there – and I really think it’s a book which just doesn’t respond well to that sort of treatment. I wasn’t able to really engage with it properly, and it creates such a rich imaginative world that you really need to be able to immerse yourself in it. However, I did get to within twenty pages of the end before I gave up. I fully intend finishing it, and probably sooner rather than later.

One thing these books all have in common is wonderful covers, and enticing blurbs. I think I’m a bit of a fiend for a good book cover. An intriguing author photo helps too, sometimes. I usually end up being drawn to books with a focus on history (particularly medieval or ‘early modern’, or whatever it is they’re calling the Renaissance nowadays), or perhaps with a supernatural/folklore-ish flavour, and of course I can’t help but indulge myself when I pass near the SF/Fantasy shelves – you can’t really beat SF/Fantasy books for excellent cover art. I think my love of a good book jacket is another reason why I just can’t warm to e-readers; it’s just not the same when all you’re looking at is pixels on a screen. Sometimes, though, I do feel short-changed when a blurb, a beautiful cover, or even reviews, lead me to believe a book is going to be life-changingly brilliant, and it turns out not to be the case. A recent example was ‘1Q84’, by the normally mind-bogglingly amazing Haruki Murakami. For months in advance of publication, I’d read reviews which told of this book becoming an instant bestseller in Japan; it had sold a million copies before it had even been printed. Advance reviews promised wonderful things. As well as that, I’ve savoured so many of his past works that I was practically foaming at the mouth to get my hands on ‘1Q84’ – such was my ardour that I couldn’t even wait for Books 1 & 2 (published together) to become available in paperback. I had to have the hardback, and I left it for ages on my bookshelf, like a treat to myself. I even bought the hardback Book 3, so they’d look pretty together on the shelf.

Well, they do look pretty. But…

I just don’t know. Perhaps it was the anticipation, or perhaps it was the fact that I usually love his work and was fully primed to love this, too. Maybe it was the fact that I adored Book 1 and thought Book 2 was reasonably good, but by the time it came to Book 3, and I realised I had hundreds of pages of drawn-out, samey story to trudge through before the wholly unsatisfactory ending, that I felt my enthusiasm for it had been sucked right out of me. There are characters in the books called Little People, for instance, who are supposed to be evil, threatening and spooky – but to an Irish reader, all that ‘Little People’ conjurs up is bad old movies about leprechauns, and folklore about fairies. I just couldn’t get behind them as the source of all horror, or whatever it is Murakami intended them to be. After the ten millionth time they’re mentioned, I just wanted to eat the book rather than finish it, but I persevered. I’m glad I did, but I really don’t know if I’d recommend it to anyone else. It was a lesson, perhaps, not to be sucked in completely by a beautiful cover and great reviews. Normally, of course, you can rely on your past experience of an author – in this case, I didn’t feel it was so clear cut. ‘1Q84’ definitely was not up to the standard of a Murakami masterwork like ‘Hard Boiled Wonderland and the End of the World’, which is a book I’d recommend to anyone who’s willing to let logic fly out the window and who’s looking for a mind-expanding read.

So. Are there any hard book lessons you’ve learned? Anything you’ve read that you’d rather have left unfinished, or anything you wish you could’ve finished but haven’t yet managed to, for whatever reason? And what is the all-important hook, the thing you just can’t resist, when it comes time to make a book purchase?

Do tell. I’m all ears.