Tag Archives: letter to a young reader

A Letter To A Young Reader

Almost a year ago, a young reader wrote to me looking for advice on how to become a writer, of SF and fantasy in particular, and what to do if you don’t think you can come up with any new ideas.

Recently, in looking through some old emails, I came across my reply. I thought it was filled with the sort of timeless advice I give everyone who asks me questions like these, and then I thought: why not put this advice on the blog, for everyone to see?

So, here you go. I’ve obviously redacted all identifying information relating to the sender of the original query, but the majority of this post is exactly reproduced from my letter, sent last October. I hope, if you’re full of questions, that it will help you too.

The Eye of the North meets some of its older cousins. (Photo: SJ O’Hart)

How Do I Become A Writer?

I’m delighted to hear you’re interested in writing. I get asked all the time where my ideas come from, and to be honest the answer is ‘from everywhere’. What I mean is, I’m a person who pays attention to the world around me, and I’m insatiably curious. I’m forever asking questions, wondering about things, needing to find things out, and I try to learn all the time. As a kid I loved to read dictionaries and encyclopedias and books of facts (I just loved  to read in general, really) and all the interesting bits would sort of stick to the inside of my brain, where they’d eventually grow into story-seeds. The Kraken from The Eye of the North, for instance, was something I first came across in a book of myths and legends I read as a seven-year-old, and it stuck with me for decades before finding its way out in a story. So, my tips would be:


-Read as much as you can, and as widely as you can. No reading is ever wasted.


-Think about things, daydream, wonder, ask yourself questions and find out the answers, cherish the things you’re interested in and dive into them as deeply as possible. All those nuggets will go into your memory bank and could eventually turn into a story.


-Keep a notebook handy. When you’re out and about, take notes and/or doodle the things you see, hear, and smell. Listen to how people talk. Eavesdrop as politely as possible! Get a feel for the rhythms of language by listening as carefully as you can. 


-Cultivate your curiosity. Notice things. Don’t walk through the world with your head down – look up and see the cat sitting on the window-ledge, or the rainbow peeking through the clouds, or the old couple holding hands in the park, or the runaway dog with one ear turned inside out… look for all the beautiful detail in the world and soak it all in. Ideas are everywhere. Writers are just the people who notice them. (An addendum to this: make sure to use all the senses that are available to you, and don’t neglect your senses of smell, touch, and taste!)


-Whenever you get a little story-seed – so, a character name, or a good sentence, or an interesting image, or a setting, or even a line or two of dialogue – write it down. But if you only get a little ‘flash’, don’t worry, and don’t push it. Put it aside. Lay it down in the warm darkness of your imagination, and let it grow. You’ll find, eventually, that it’ll start bugging you so much that you’ll be itching to write the story!


-Don’t worry too much about originality. There are no new things under the sun! That old saying has a lot of truth in it. Nobody comes up with ideas that are completely unique – I didn’t invent the idea of a girl going after her kidnapped parents, or an Arctic setting, and I certainly didn’t invent the Kraken! But perhaps the way I put them together, and the fact that the story was written in my ‘voice’, made it mine. Anything you write will have your stamp on it, and if you infuse it with the things that are special to you, the things you love and are passionate about, it will always have a fresh feeling to it. 


-Don’t judge yourself too harshly. Write for the joy of it, and know that any story you create is a huge accomplishment. Be proud of it. Don’t throw anything away, even stories that don’t work, because there’ll be something useful in everything you write. And don’t expect things to work first time, all the time. If it’s frustrating you, put it aside and come back to it in a week or a month; don’t give up. Writing can be hard work. It often is. Every story and every published book will have a hundred thousand ‘wrong’ words behind it. I did so many drafts of all my published books, and they were edited in depth by multiple people! They didn’t pop out of my head as they appear on the page. 


– As for tips for writing fantasy/sci-fi/humour – my best tip is to read those sort of books and watch those sort of movies. Every story you take in will teach you something – how stories work, what makes a funny line so funny, and what ideas have been a bit overdone. I really recommend Terry Pratchett, Neil Gaiman, Ursula le Guin, Diana Wynne Jones, Catherine Fisher, Justina Ireland, Karuna Riazi, Hannah Alkaf, Sarwat Chadda and so many more, but those authors are a great place to start. I get a lot of my humour in my dialogue, and the only tip I have for that is to listen to people, enjoy accents, and take pleasure in funny, new words and in language overall.


I hope this helps!


Keep reading, keep wondering, and keep dreaming. The stories will come.


Warmly yours,
Sinéad