Tag Archives: submitting stories for publication

I’m Ba-aaack!

Image: spinoff.comicbookresources.com

Image: spinoff.comicbookresources.com

Did you miss me?

Probably not, I’m wagering. I should think you’d probably have missed me a lot more if I’d done a better job of going away to begin with. I didn’t blog very much, true, but I wasn’t as absent from Twitter as I’d planned (darn you, smartphone!); and I did a lot of dropping in on Facebook, too. As well as all that, my brain was always ‘on’. It’s something which I’m really going to have to work on, you know, this tendency I have to never stop thinking. It’s almost like my mind goes even more doolally over writing-related stuff when I know I’m not supposed to be thinking about it.

So, long story short: I’m only back from two weeks ‘off’, and I feel as tired as ever. Wahey!

However, one of the reasons I’m tired is that, during the last couple of weeks, several cool things happened. I can’t go into detail about them all yet, but – all in good time, my dears. All in good time.

The first cool thing is: I read a whack-ton of books, some of which I’ve been asked to review for a brilliant kidlit-related publication which will be out later in the year. The books included Witch Light (originally published as Corrag, and read just for pleasure) by Susan Fletcher, which was a beautifully written story of one young woman’s struggle to escape her impending execution and her recounting of the massacre at Glencoe in 17th-century Scotland, and Ray Bradbury’s Fahrenheit 451. Shockingly, I’d never managed to get around to reading the latter until now, despite it languishing on my TBR-list for years. I also devoured The Wolf in Winter, the new John Connolly novel (again, this was just for me!) and it was as fascinating as any of his previous Charlie Parker books. I love and adore children’s and YA books, of course, but it is nice to step into the realm of adult literature every once in a while (if only to reaffirm your conviction that kidlit is way better).

Speaking of which, did you read this article by Ruth Graham, published in Slate on June 5th, about how adults who read YA literature should be ashamed of themselves? Yeah. Well, you can all probably guess how I feel about that particular viewpoint. Let’s just say it did my heart good to watch the backlash to this article’s publication on Twitter. Author after author after reader after reader took to the airwaves (do people still say ‘airwaves’? Anyway) to promote and share the love for the YA/kidlit books that they adore, and that was wonderful to witness. In the last week alone, I’ve read a YA book about a fourteen-year-old girl tormented with guilt and self-hatred after the death of her younger brother, for which she blames herself. The story takes us through her psychiatric treatment and the depth of anguish she must face in order to deal with her pain. I’ve read books aimed at young readers which deal with death, genocide, totalitarian regimes, slavery, abuse, imprisonment, injustice and every kind of loss imaginable – in other words, nothing less than what you’d find in a literary novel – and Ruth Graham appears to take issue with YA literature because of its tendency to offer ‘neat’ and satisfying endings. To that I say ‘tosh’. Most of the YA books I’ve read show the characters coming through a crucible of some sort, learning to live with it, and then moving on somehow changed, somehow unimaginably different. Not neat. Not trite. Real.

Also, if ‘growing up’ means putting aside the magic of beautiful literature and living on an unceasing diet of Pynchon and Updike and Franzen and Banville and Roth (even though I quite like Roth), then count me out. Give me fairy tale and dreamscape and adventure and the thrill of discovery any day.

'I suspect that, for his escape, he took advantage of the migration of wild birds.' (The Little Prince, Chapter Nine). Text and illustration: Antoine de Saint-Exupery.  Image sourced: mtlsd.org

‘I suspect that, for his escape, he took advantage of the migration of wild birds.’ (The Little Prince, Chapter Nine). Text and illustration: Antoine de Saint-Exupery.
Image sourced: mtlsd.org

The second cool thing to happen while I was away was this: I had a story published (it’s called ‘The Monument‘, and there’s a teeny sliver of ‘bad’ language used in it, so be aware of that if you’re planning to read it). I also had another story (‘Hollow’) accepted for publication by a very cool ‘zine called ESC, and a piece I wrote about the Date with an Agent event went live on http://www.writing.ie. So, all that was plenty awesome.

The third cool thing was this: a friend asked me to join him in helping out with editorial duties on a literary journal which investigates the interplay between literature and science. So far my role has included such duties as brainstorming themes, thinking up submission guidelines and trying to write a cool, snappy bio, which I’ve managed with varying degrees of success. I’m sure there’ll be more to say about this in the future, but for now here’s a link to the journal’s website where you can find out more about it.

In non-writing related news: I watched X-Men: Days of Future Past and loved it; my husband had a birthday, which was great; we got to spend some time with family, which was very great, and there was actually some sunshine to enjoy, which was fantastic.

How about all y’all? How have things been over the past couple of weeks? I can’t wait to hear all your news.

Grab one o' these, pull up a chair, and let's have a chat. Image: theguardian.com

Grab one o’ these, pull up a chair, and let’s have a chat.
Image: theguardian.com

 

 

First, Find a Hat…

Submitting a novel takes a certain amount of focus and effort. It takes time, and brain-space, and most, if not all, of your guts. It doesn’t, in short, leave you a lot of time to do other things, like enter competitions or submit stories to literary magazines, which is a shame; those things are important.

It’s hard to even write a short story, though, when you feel like this:

The lemon, that is. Not the hand. Image: catalysttrainingsystems.ca

The lemon, that is. Not the hand.
Image: catalysttrainingsystems.ca

Sometimes, however, you’ve just got to tell that Muse who’s boss, and get her to start pulling her weight. If you were to wait until you felt in the fullness of your mental and physical health and/or everything in your life was shiny before you put pen to paper, you’d never write anything.

So, in that undaunted spirit, this week I’m beginning the process of submitting work to magazines and competitions afresh. I’ve just stuck my head above the parapet to check out the landscape, and realised I’ve missed a load of deadlines, which is a shame.

But, as is always the case, where one deadline passes another five sprout up to take its place, so there’s never a need for sorrow.

I have compiled a short list of competitions and/or submission opportunities (not exhaustive, just so you know: other opportunities are available!), mainly to help myself to stay focused but also to aid anyone else who might find themselves in the mood to throw their hat into the ring.

Artist: Bill Watterson Comic: Calvin and Hobbes Image sourced: helenlevel3writing.wordpress.com

Artist: Bill Watterson
Comic: Calvin and Hobbes
Image sourced: helenlevel3writing.wordpress.com

Competitions

Mslexia Women’s Short Story Competition

The Skinny: Stories can be up to 2,200 words, and so long as they’ve never been published before (and they’re written in English), they can be on any subject. Entry costs £10 (sterling) and should be accompanied by a cover sheet, downloadable from the Mslexia website. First prize is £2,000 plus publication in a forthcoming issue of Mslexia.

The Complicated Bits: You have to be a woman to enter, and the closing date is next Monday, March 17th. So, get your skates on!

The Molly Keane Creative Writing Award

The Skinny: Entry is free, and there’s no restriction on the style or length of the short story submitted. You need to download an entry form from the Waterford County Council website and submit it with your story to the Waterford County Arts Office. Peachy.

The Complicated Bits: Entry closes this Friday, March 15th. Sorry about the late notice.

The Moth International Short Story Prize 2014

The Skinny: Stories can be up to 6,000 words, and must be original and not published elsewhere. A €9 entry fee allows you to enter one story, and you may enter as many stories as you like. The closing date isn’t until June 30th, which is good. You can find the rules here, and a link to online entry here. Go on, go on, go on.

The Complicated Bits: There aren’t any, really. Get on it.

The Bridport Prize

The Skinny: Bridport offers a smorgasbord of options. There’s a flash fiction competition (stories up to 250 words); a short story competition (stories up to 5000 words) and a poetry competition (poems up to 42 lines.) A variety of entry fees apply, and you should probably check out the rules, over here. Bridport offers great prizes, and wonderful exposure should you win, or be shortlisted.

The Complicated Bits: Winning is difficult, as the world and his mother tends to enter this competition. It’s reputable, popular and well worth entering, but there’ll be stiff competition. Just so you know.

MMU Novella Award

The Skinny: Have you written, or are you writing, a novella of between 20,000 and 40,000 words? Then, this is the competition for you. The prize is £1,000 plus publication, and the closing date is May 23rd, and the entry fee is £15. So long as you’re over 16 and writing in English, you’re good to go.

The Complicated Bits: Ain’t none. Well, assuming you have a novella in the works, that is. I don’t, so for me it would be nigh-on impossible. For you, though, it may be just the ticket.

Criminal Lines

The Skinny: If you’re a writer of crime, suspense or thriller novels, then listen up. A.M. Heath, an excellent agency, is looking for an unagented, unpublished crime author for their Criminal Lines prize. Amazingly, the novel you enter doesn’t even have to be finished – but you need to have a clear plan in place for the story. The prize is £1,000, but – better than that – you get to chat to some of A.M. Heath’s super-agents about your work. So, it’s well worth giving this a go if you’re the next Henning Mankell. Details are available over here.

The Complicated Bits: There aren’t any, so long as you have a twisty, nefarious brain which cooks up deliciously dark stories. I don’t. So, um. Good luck, though!

Image: avajae.blogspot.com

Image: avajae.blogspot.com

Submissions

There are literally millions of places to submit your work. Millions. I’m throwing out a few that are on the top of my head, for various reasons, but the following list is by no means complete.

ESCzine

A fabulous wee e-zine which is well worth checking out. They’re looking for submissions for their fifth issue, closing date April 30th.

Number Eleven Magazine

Possibly the most beautiful literary magazine in the ‘verse. Send them in your stuff, and maybe you’ll see it lovingly and gorgeously reproduced.

Story Shack Magazine

The best thing about this magazine is the fact that not only will you see your story in print if it’s accepted, but you’ll also be paired with an illustrator who’ll bring your vision to life.

The View From Here

Edgy and interesting, ‘The View From Here’ is a great place to stop off if you’ve some free time and fancy a read, and also if you have a slightly strange short story looking for publication. Give them a go.

Metazen

Pretty. Great stories. Wonderful ethos. Check them out!

wordlegs

wordlegs’ remit is wide – they accept poetry, short stories and flash fiction. And they’re lovely people.

The Bohemyth

You can’t go wrong with The Bohemyth. Always worth a read, and wonderfully produced. As far as I know, their submissions window is always open.

***

Wherever you choose to send your work, good luck. I hope to see you on a winners’ podium, or in print, in the near future. With any luck, I’ll be there with you. Always remember you have nothing to lose by submitting work to competitions (well, besides a small sum of money, sometimes!); every competition will make you a better writer. And – needless to say, but I’ll say it anyway – never give up.