Mayday!

My goodness. Is it Friday yet?

Image: sonotstraight.com

This has been a busy week. The other day on Twitter I listed out all the various accounts I now have on social media: five email addresses, three Facebook pages, two Twitter feeds and two blogs. I’m now an assistant editor with a literary magazine, as well as the ‘owner’ of my own small business (can I say ‘owner’ when nothing, on the face of it, has actually changed?), and I’m still making time to write amid all the clamour too, of course. Writing is what I do, after all. Isn’t it?

For a person who tends, in all other ways, to be cautious, I can also be rather impulsive. The more important something is, the quicker I can seem to make a decision about it. Choosing a pair of socks in the morning, therefore, can turn into an angst-ridden melodrama; deciding to go ahead and set up a proto-business, however (albeit one that’s been brewing in the back of my mind for over six months) was rather spur-of-the-moment. Perhaps this is because the pressure of an important decision tends to cave me in, and I choose a course of action so as not to remain on the precipice for too long. Or, perhaps – and this is a little more comforting – I’m allowing myself to be guided by my ‘hindbrain’, which knows better than I do about what’s right and wrong and which doesn’t see the need for delaying proceedings

Muwa-ha-haaa! I am Hindbrain! Bend before my almighty Will!
Image sourced from: indigenize.wordpress.com
Image copyright: Extrafeet Inc., 2011

Whatever the reason, I’ve been making a lot of decisions this week and throwing so much caution to the wind that it’s surprising I have any left at all.

It’s exhausting.

But it’s exhilarating too, of course.

Yesterday morning, after I’d completed my story for the Wednesday Write-In, I found myself doing some reading for the literary magazine (Number Eleven, for the curious, in which I was published a little over a year ago; if you haven’t checked it out before, or it’s been a while since you’ve taken a peek, go and have a look. It’s gorgeous.) Once I’d popped off my feedback to the editor, I turned to my own WiP, which has been languishing for a fortnight, read it through – editing as I went – and added just over 1500 words to it. Then, I decided to take another plunge and create a Facebook page for my new business, Yellow Road Editing Services – and, because people are wonderful, it has been ‘liked’ almost sixty times in less than twenty-four hours. All the while, I was keeping up with the Twitter feeds both for myself and for Yellow Road, and keeping an eye on blog traffic, too.

It was a lot to get through in one day, and I’ve taken away a few valuable lessons from the experience:

People are wonderful. I have had so much support and goodwill shown to me over the past few days that it would, quite frankly, bring a tear from a turnip.

Getting up early in the morning is a great habit to have. I started work yesterday at 6.30 a.m., and kept going – pretty much uninterrupted – until 4. I’m usually awake by about 6.30 most mornings, which proves that you can train even the nightliest night-owl to be an early riser with enough cold water and torture… I mean, willpower and motivation. (And yes, I know ‘nightliest’ isn’t a word. But doesn’t it sound pretty?)

Who *DARES* wake The Great Hootowlio?
Image: thefeaturedcreature.com

Dividing one’s attention is hard. Yesterday, I tried to do All the Things All at Once. This isn’t usually a good idea, no matter what you’re attempting to do, and despite the fact that I know this, I still try to do it from time to time. Yesterday was one of those times. I found my attention being dragged away from my WiP because I wanted to make sure I’d sent the proper Excel sheet to the editor or because I had to check one of my email accounts or because someone followed me on Twitter, or because… the list went on.

What I should have done – and what I will do, from now on – was take a deep breath and a step back, and realise that everything will get done in its own time. Putting myself into a frazzle is going to accomplish exactly nothing, and may in fact hamper my efforts to be productive. I’m going to get a wall calendar and block off the days, focusing on one thing at a time, and I think I’ll change my screensaver to a picture of the gently smiling Buddha, or something. As my sainted mother always says: you can only do a day’s work in a day. She’s right, as she is about everything.

And, of course, the more divided your attention is, the more your work – all your work – will suffer. And nobody wants that. (And yes, I know I just started three sentences in a row with ‘and’, but it was for emphasis. I can do this. I’m a professional. Don’t try it at home.)

So, in honour of May Day and its traditional association with workers, I’m going to resolve to work smarter and harder, and to love every second. Stress isn’t a nice thing, but it’s also a powerful motivator, and I’m going to try to use it as a force for good in my life from this day forth.

Really? Aren’t you laying it on a *little* thick, now?
Image: halliewestcott.com

All right, all right. I’d better sign off here, and get on with the rest of it. Jeez, you guys are hard taskmasters.

Happy May Day!

Is It Friday Yet?

Man.

This has been a long, hard week – in so many ways. Reality (boo hiss!) has prevented me from doing as much writing as I’d like, and the writing I have done has been execrable nonsense. No – really.

As proof, let me proffer the following.

I laboured for hours yesterday on a piece of flash fiction which I had intended to submit to a prestigious competition. Its closing date? Today. Yeah. Not so clever.

Image: kotaku.com

Normally, my internal ‘deadline widget’ would keep me from making such a colossal mess-up, but for whatever reason it was on the fritz this week, and so things started to get on top of me. Anyway, after all the hard work of producing this piece of flash – and, for a while, I genuinely thought it was okay – I read it over this morning and realised that it literally makes no sense. None whatever. As well as that, the stuff that happens in it is physically impossible – which I know doesn’t really matter, because it’s a story. However, when the crux of what you’re writing hangs on something that couldn’t actually happen in reality, and the story relies on the events taking place just as they would in reality, then you’ve got a problem.

So, as you can imagine, there’s been plenty of wailing and tooth-gnashing this morning, and the day hasn’t even begun properly.

It hasn’t been helped by the fact that today’s Flash! Friday prompt was cruelly complicated.

image: batoto.net

All in all, I wonder if today’s one of those days which should just be rebooted. Shame I can’t just Ctrl+Alt+Del and get on with things in a better and more sensible universe.

Anyway.

So, today’s Flash! Friday required element was ‘Vendetta’ – not the word, but the concept. The prompt image was as follows:

Image: en.wikipedia.org (entry: Rosie the Riveter)

And the following wee bitty tale is what I made out of all that prompty goodness.

Top Secret

I watched them, all three, huddled over Marcia’s workbench. My little buddies. Joe and his fan-club. I shouldn’t have been surprised.

‘C’mon!’ he urged. The glow of Marcia’s torch threw them into sharp relief. Carla was – I guessed – supposed to be on watch, but as always when she got close to the action, she forgot herself.

‘It looks swell,’ she said, with a low laugh. ‘Real swell, Joe!’

I took a step closer, thankful for my rubber-soled shoes. I could see the little hairs curling on the back of Carla’s neck now, smell the tang of her sweat. The torch’s hiss covered my approach.

My project – my pipework – lay on Marcia’s bench. She was welding something to the front of it. Something obscene. Something which would’ve gotten me fired.

I sighed.

I should’ve just let Joe do what he wanted, that time. Touch me. Take me.

My throat tightened.

I raised the wrench, planted my stance, and took aim.

**

I guess the fact that I managed to get a story (one I’m happy with, too) out of a pair of fiendishly complicated prompts should make me feel a bit happier about my labours. It doesn’t make up for  yesterday’s silliness, but I suppose it’s all about the horizon, isn’t it. No point looking back. Keep going. Stiff upper lip (whatever that means.)

And, thank custard, it’s Friday. Next week I’m going to be machine-like in my efficiency and productivity. I can feel it.

Happy weekend, all y’all. And thanks.

 

Medieval Madness for the Middle-Aged

Recently, I’ve been looking over some of my old notes from university and some of my old teaching material from when I was a tutor of Medieval English Language and Literature. I sometimes wonder whether I was a good tutor, and whether any of my old students remember me. I think the most noteworthy thing I ever did in a class was fall off the edge of a podium mid-speech, but I hope some of the people I was lucky enough to teach will remember enjoying their course, even if they don’t remember me.

I’d say this is how most of my old students remember their years of Medieval Lit…
Image: tek-lado.com

One student once told me that I had singlehandedly made her love Chaucer, and I lived off that praise for a couple of years. It still remains one of the best compliments I’ve ever been paid.

Anyway. Amid all the nostalgia, I’ve realised a couple of things: one, I still love anything to do with the Middle Ages, and two, I remember more about it than I thought I did. It’s like muscle memory, perhaps; the stuff that I spent so many years learning is still there, deep down. Even if I never use it again professionally, it’s great to have that fund of knowledge and folklore, that familiarity with a lost world, that facility with a written language that very few people – sadly – are bothered with these days.

The same goes for all of us. No matter what your background is, what you studied at school or college, what you’re interested in, what you’ve done for a living, what you do for a living, what makes you happy – all of that stuff can be used to fuel your writing and feed your imagination. It can all be mined for inspiration. The more you have in your ‘tank’, the better equipped you’ll be to stretch your writing muscles, and the more agile your ideas are likely to be. I’ve worked as a butcher’s apprentice, as a lecturer and as a bookseller, among lots of other things. So, my imagination-pot is fully stocked.

But my heart will always belong to the Middle Ages.

And – since I’ve done nothing of note since yesterday besides hack away at ‘Eldritch’ and drink at least a litre of decaf, I’m going to leave you with my favourite clip from one of my favourite films – and, it must be said, a clip to which I often referred in my classes, back in the day.

Oh, how many poor classes of students had to sit through my ‘John-Cleese-doing-a-French-accent’ impression…

Work is going reasonably well on ‘Eldritch.’ It’s hard to unpick a plot with which you’ve been intimately familiar for years, only to recreate it slightly differently, but I’m managing. It’s slow, but it’s steady. I’ll get there.

Good luck with all your endeavours today – particularly if it’s repelling the English with flying bovine missiles.

Mind-Full Monday

Good moaning.

Image: warrelics.eu

It’s Monday again, and my skull is creaking at the seams.

The things on my mind this morning, in no particular order, are:

1. The frustrations of being misunderstood;
2. The difficulty of keeping a load of closing dates for competitions and submissions in mind for long enough to write them down, whereupon you lose the piece of paper you wrote the dates down on and forget them all anyway;
3. The need to come up with stuff to write for these competitions and/or submissions;
4. The sheer absolute awesomeness of this:

5. The horror of constantly checking your email inbox, just in case there’s a message in it which will change the course of your future. Or, you know, not.
6. The fact that I watched ‘The Happening’ at the weekend, despite my brother’s warning years ago that it was utter, irredeemable nonsense. I should have listened to my brother.

But the main thing on my mind today is the fact that what I am going to be doing for the foreseeable future is rewriting one of my own books, in line with Very Knowledgeable Advice – the sort of advice it would be foolish to ignore, in other words. So, I am being very clever indeed by not ignoring it.

The book is ‘Eldritch.’ I don’t blame you for forgetting all about it. I nearly had, too.

So, I had originally imagined ‘Eldritch’ as the first part of a trilogy. In my innocence, I had thought the story needed three whole books to tell it: I had imagined my funny little hero, Jeff Smith (who wishes he had a cooler name so that he could have better luck with girls), and his brave and clever friend Joe Araujo (who would rather be at home eating curry than on an adventure), would enjoy being flung through time and space not once, but three times in order to bring their story to a conclusion. I thought I had crafted good, strong characters, including a compelling baddie (I so hadn’t); I thought, in short, that the story was strong enough to sustain a series.

But – *cue dramatic flourish* – I was wrong.

I was wrong, and I didn’t see it until it was pointed out to me. I didn’t see that my baddie was a mishmash of clichés, and that my story was a reasonably good one, but that it certainly didn’t need three books to tell it. I didn’t see that, while my writing was reasonable and the dialogue between my leads was memorable, so much of what I’d written was so-so and forgettable.

I’m not trying to pretend this wasn’t hard to hear. But if you want to know the truth about it – I took this feedback, and I digested it, and after only a few moments (a few stomach-plunging moments, admittedly) I began to see how much sense it made. Taking this feedback was a lot easier than I’d expected, and a lot less painful than I’d imagined.

Image: 8track.com

Not long after this, I began to re-plot the book in my head. It was tough to disassemble the scaffolding of ‘trilogy’ which had previously existed around these characters and this story; it was hard to even imagine the book as a self-contained unit, instead of a series. It meant a total rethink of the plot, the characters, the motivation, and particularly the ‘baddie’ – he needed to be stronger, scarier, more interesting. In short, he needed to be mine, not a mixture of all the baddies I’d ever read about. I hadn’t realised this was what I’d managed to do, until I re-read him. In short, the bits of the book which didn’t feature him were much stronger than the bits that did.

And that’s not good.

Your baddie is supposed to be your most compelling character. Even more so than your protagonist, your antagonist (to give him his ‘Official Title’) should be unique, and marvellously evil, and logically motivated, and in possession of a Dastardly Plan that makes sense and is workable. He or she should be layered and complex and full of secrets. If not, then you don’t have any proper drama or tension in your story. Your heroes have nothing to fight against or overcome. The danger in your tale is neutralised.

My baddie was a pantomime villain. Looking back, I can’t believe I didn’t spot it myself. But that’s why it’s important to have other eyes read your work, of course.

It also leads me to realise that the most important part of writing is the ability to rewrite, up to and including taking your own work, completely breaking it down, and building it back up again from scratch. A mere edit wouldn’t have saved ‘Eldritch’, but I am only human, and I did investigate whether there were any shortcuts to the process. I wondered if there was a way to salvage most of it, and just change the bits that needed changing. I wondered if there was any chance I could keep some of the features that, I thought, made the book unique – but I’ve learned that only what’s good for the story, not what’s good for the writer, should make it into a final draft.

You have to be willing to do whatever it takes to make the story as good as it can be. If this involves starting again from first principles, then that’s what you have to do.

The only rule is: never give up trying to make your work as excellent as it can be, and always ask for (and heed!) good advice.

All right, so that’s sort of two rules. But you know what I mean.

Image: commitnesstofitness.com

I hope a week of wonder awaits you – and that there will be plenty of words in it.

Line by Line

As a girl, one of the eternal truths I learned (along with ‘other people care a lot less than you’d imagine about your life,’ and ‘tears are very rarely worth it’) was ‘If something is worth doing, it’s worth doing well – and, that usually means it’s going to take forever and drive you ’round the twist.’

Well, quite.

You’ll be pleased, perhaps, to know that editing continues apace on ‘Emmeline.’ It’s, at once, the most dreary and the most exciting thing imaginable. It’s great to feel the book taking shape under my hands, and it almost feels cathartic to slash and burn my way through stupid sentences and pointless description and continuity errors that would be embarrassing if anyone else had a chance to read them, and I’m really enjoying the act of indulging my inner pedant.

But, as well as that, it’s hard. It’s hard work. There’s no way around it.

Image: cutestpaw.com

One of the most useful things that editing on paper does is it forces you to read your work as though it was already a book. I know that sounds a bit ‘out there,’ and perhaps it is, but that’s how it works for me, at least. Reading on-screen feels a little informal; it makes my brain think I’m reading a Work-in-Progress, where errors don’t really matter too much. When I’m reading on a screen, my work is in a permanent ‘holding area’ where nothing needs to be finalised or corrected because, on some level, you’re always thinking: ‘there’ll be another draft after this. If I miss something, no big deal.’

Printing out your work and going through it with a pen makes you realise – this is a big deal. Printing makes it more permanent. Printing means investment, of time and effort and money, and that fools you into taking it more seriously. Printing something reminds you that there is an end-game in sight; this is what you’re aiming for. You’re shooting for a day when your words will be down on paper, permanently, like the ‘ever-fixéd mark’.

Even if – as it does for me, right now – it feels so far away that it’ll never be a reality, you have to keep heading for that permanence. You have to keep believing that every tweak, every removed comma, every excised sentence, every smoothed-over paragraph, every cliché bopped on the head is bringing you closer to that goal.

Image: picturesof.net

Editing requires hard work. Writing the book requires hard work, of course, but somehow editing takes a different sort of effort. Writing the book can feel a bit like freewheeling – you feel a certain wild joy as you put something together for the first time, and as you watch an idea that you’ve nurtured and grown finally take shape. Getting to the end takes huge effort, and sometimes – when you’ve struggled over the line – you feel like the work of bringing forth the idea is done.

Except it isn’t. It’s only beginning.

Just like you can’t bake a lump of dough whole if you’re trying to make perfectly shaped cookies, or thinly-rolled pastry, you can’t deliver a freshly slapped-together book to a reader and expect them to be able to digest it. The ingredients are all there, present and correct and in the appropriate quantities, but it’s just not right. It needs shaping and refining and – crucially – it needs the unnecessary bits trimmed away. ‘Emmeline’ was full of errors in its first draft – the character wearing a dress in one scene, and trousers in another; Thing’s eyes were green in one chapter and brown in another (this is so common as to be embarrassing); characters were short and stumpy in one chapter and tall and willowy in another – and that sort of thing is bound to cause dyspepsia when it’s read. It’s depressing to read other books where the idea is there – the ingredients are all used, and used well – but the finishing hasn’t been done to quite the right extent. It makes me more determined to make my own work as sleek as possible, as well-formed as I can, before it is sent anywhere. I don’t always succeed – I am, needless to say, still learning the ropes – but it’s something to aim for.

Luckily, as I’ve read further and further into ‘Emmeline’ (I’m now just over halfway through, again), I’m spotting fewer and fewer basic errors. I’ve stopped mixing up eye colour and appearances, and Emmeline’s clothing has decided what it wants to be. This means that I can pay even closer attention to the plot, in particular those parts where my eye skips or my brain turns off, because those are the parts which need the most work. If you find yourself skimming over any part of your writing, then it’s vital to force yourself to go back over it in forensic detail. Perhaps you’ve tried to patch over a major plot hole in such an awkward way that you don’t want to deal with it, or perhaps it’s just that your story sags at that point, becoming turgid. Either way, it can’t be allowed to remain unchecked. It’s as difficult a thing as anything I’ve ever done, this ‘forcing myself’ to go back over my own work when something in me really doesn’t want to – it makes me feel like I have a stroppy teenager in my brain, refusing to clean up their room.

But just as a teenager can be coaxed, so can your brain. Changing up your working environment always helps me; something as simple as burning a nicely scented candle or making a cup of coffee can work wonders. Reminding yourself how great it’ll feel when the work is done is also a help, sometimes. Taking a break and getting some fresh air is also vital.

But the most vital bit of all is never giving up. Hitting ‘print,’ taking up the pen, turning on the critical brain, and understanding that, with every correction, you’re bringing yourself one step closer to your goal is the most important thing you can do – and not just once, but day after day after day until you’re done.

So, like I said. At once the most exciting, and the most dreary thing imaginable. But, like anything that’s important, it’s absolutely worth it.

Image: menaulhead.wordpress.com
Artist: Kevin Spear, 2009; kevinspear.com

 

 

Proof Of My Silliness

As if you needed proof, right?

So, it’s NaNoWriMo, as we know. I have a project to complete, as we also know. Other stuff that I knew, but which perhaps I should’ve taken into account when deciding to bash my details into the NaNoWriMo sign-up page included:

The fact that it’s my dad’s birthday this month;
The fact that it’s my birthday this month;
The fact that my husband is taking several days’ leave this month;
The fact that I have at least two medical appointments this month; and, last but by no means least:
The fact that I have no fewer than three really important family things to attend – yes, you’ve guessed it – this month.

Image: likeablequotes.com

Over the weekend, I attended a (very fun, and wonderful in every way) birthday party for one of my dearest and oldest friends. I got to see so many people – some of whom I hadn’t seen for ages – and much laughter and catching up was had. We also visited my husband’s aunt and uncle, and that was great too. The silliness in all this, of course, kicks in when one considers that I also knew about all this before I signed up to NaNoWriMo.

So.

I am, at the moment, trying to do several things simultaneously, all of which are vitally important. I am attempting to do them all in the one month so far this year when I have the least time. It’s definitely silly. It’s even perhaps a little on the ditzy side. But you know what else it is?

It’s great.

Image: kwasistudios.com

It’s a privilege to have friends and family to spend time with, and it’s great to have so much to celebrate. (The medical appointments aren’t so much fun, but we’re not thinking about those, right? Right.) It’s also fantastic to be busy, and to have so many opportunities to submit and create work. Having said all that, I still really wish I’d engaged my brain a bit more before making the decision to begin NaNoWriMo. It’ll be NaNoGoSlo at this rate. I was doing really well last Friday – I was way ahead of schedule for the day, and the site was predicting I’d be done with my 50,000 words a week early if I kept up the same pace – but, of course, over the weekend it all went to hell. I’m afraid to check the website now, in case it yells at me – or, worse, tells me how disappointed it is in me, and how it expected better.

I hate that.

The current picture of my situation is like this: I am just over two-thirds of the way through my line edits for ‘Tider’, but the manuscript has been sitting on my desk now since Friday, so I hope I can get back into the right mindset to get through it. I want to finish that job and get the manuscript sent away to the kind agent who gently rejected ‘Eldritch’, but who wanted to see my other work. So, my heart is (not literally, because urgh) in my mouth as I work. Once that’s done, then it’s NaNo time, and to stay on track I have to write something like fifty million words today (approximately.) Then, it’ll be time to turn my attention to my story for Walking on Thin Ice, which has been neglected so long I’ve forgotten what it’s even about. (The closing date for this contest is coming up, by the way, so if you’re preparing a story, get ‘er done.) On top of all that, then, we have the usual stuff – living, eating, breathing, sleeping, attempting to keep the house from turning into a hovel, and all that other incidental stuff.

If someone finds me gibbering gently in a corner, don’t worry. Just leave me be. If you really need me for something, however, just waft a book in my direction and I’m sure native curiosity will drive me out of my stupor.

Happy Monday and happy new week. I’m armed with a brand new jar of decaf, my biggest mug, and my game face. Let’s do this.

Nicolas Cage speaks the truth.
Image: brightestyoungthings.com

 

A Little Bit of Kindness

So, I have received another rejection.

Image: dailymail.co.uk

The funny thing is, though, that this time – it’s not so bad.

I mean, yesterday (when I got the word) I felt sad, and disappointed, and upset. I felt angry, but it was at myself – how could I have written something that didn’t fit the bill, for so many reasons? Didn’t I know any better? – and I was glad I was alone when I got the news, because I needed to be. I think the reason I feel a little low, but generally okay, today is because the rejection was done so kindly, and so generously, that it was the next best thing to an acceptance. It was full of praise for my work (except, of course, for the bits that weren’t so strong) and it was full of encouragement and support. It gave me an option to rework and resubmit, and it expressed an interest in seeing more of my writing.

So, really, I couldn’t ask for a better rejection email, if that makes any sense.

Now, however, I have several things I need to do – and, of course, because life is like that, they’re all happening at the same time.

Item the First: Tweak ‘Tider’ – just a little – in order to get it ready to submit. I’m almost happy with it, but there’s just something not quite right about the end of it. This weekend will be partly spent buried in my printout of the text. Yay? Yay.

Item the Second: Get my NaNo project (still nameless) off the ground. I felt so deflated yesterday that – just for a second – I considered pulling out of NaNoWriMo, but luckily I came to my senses and realised that would be stupid. So, I’m still in. Today, I plan to write at least 1500 words, which is slightly under-target, but a good start.

Item the Third: Think about ways to make ‘Eldritch’ right. As hard as it was to hear that my beloved book just isn’t quite good enough, I realised that the person giving me this feedback is a professional in the industry who knows exactly what they’re talking about, and who is, furthermore, completely right. It’s funny how writers just can’t read their own stuff exactly as a reader would; no matter how hard you try to detach, it’s always going to be a different experience for you, the writer, reading your own work as it is for someone coming to it completely fresh. I had always imagined ‘Eldritch’ to be the first part of a trilogy – from its earliest existence in my mind, that’s how I pictured and planned it. Now, I know that the story isn’t enough to sustain a trilogy. And I’m okay with that.

Really. I am.
Image: runningofthereeses.com

Submitting your work to agents is scary. The idea of a knowledgeable, business-minded, critical (in a good way), and exacting pair of eyes reading your tender words is akin to that feeling we all remember from our teenage years – the terror of trying to impress someone we like, and hoping against hope they like us back. The tension of waiting for replies and praying, every day, for an email or a phonecall with news one way or the other is a major drag on your health, both mental and physical. I personally feel like I could sleep for a year, but I know that’s not an option.

But making a dream come true isn’t something you can leave to your Fairy Godmother. It takes work, and devotion, and sweat, and pain. It takes the bittersweet realisation that you’re almost, but not quite, good enough. It will – hopefully, at least – be lined with the sort of kind, compassionate email that I received yesterday, the type that tells you ‘You’re not ready yet, but very soon, you will be, and I want to be there when you are’; it will be full of days like yesterday. And all you can do is be grateful for the help, smile, and move on to the next step.

Easier said than done, but believe me – it can be done.

Happy Friday, and happy weekend to you all. I hope a restful couple of days are ahead for you. And, while we’re on the subject, happy November! How did that happen?

Image: businessinsider.com

Home Keys

I’ve been sitting here for over two hours trying to write this morning’s blog post. The reason I’ve been finding it so hard is not that I have nothing to say or that I’ve forgotten how to use my words all of a sudden – it’s because my brain is flipping from one topic to another, zooming around faster than a speeding burrito (which is, of course, the fastest thing in the known universe), and finding it very difficult to settle.

Shall I write about the wonderful online writing workshop I watched at the weekend, I ask myself? Perhaps I should tackle the annoying fact that I can no longer watch a movie without anticipating the storyline and ruining it for myself and anyone who watches with me? Or maybe I should unpick some of my inner demons – the ongoing and ever-present fear of rejection; the difficulty of accepting (at times) the subjectivity of this business, and the fact that not everyone is going to like your work as much as you do; the almost superhuman challenge it is to just… keep… going – or perhaps I should just go back to bed and forget I started any of this.

Image: themumblog.com

I think this phenomenon – the zippy, flippy brain – is a common feature of Monday mornings, particularly Monday mornings which come after a weekend spent away from your WiP. My brain is like a particularly active toddler finally let loose in the playroom after a weekend spent wrapped up in a suit and bow tie and being warned, repeatedly and through gritted teeth, to be on his best behaviour. Right now, it’s running from one corner of the room to the other, screaming all the way.

Having said that, I had a wonderful weekend, spent with family; it feels really unfair of me to describe those happy days as being akin to being locked out of the toy box. I don’t mean to say that I’d rather have been working than having lunch with my parents, or helping my friend to bake a cake for her father’s birthday party, or watching a film with my husband, but when you’re working on something like a book, it feels a lot like your brain isn’t fully ‘there’, at any given moment. Inspiration, ideas, solutions to plot problems, bursts of clarity about your characters, realisations that one of your imaginary people is acting in an unnatural or ‘forced’ way, and the ever-present corrosion of doubt have a habit of exploding into your mind at the most unwelcome and unexpected moments. I’m pretty sure they wait until you’re at your most relaxed before they mount their attack, just to make a larger and more distinct impression upon you. Trying to keep these ‘attacks’ under control is a lot like trying to avoid the ministrations of a particularly energetic and affectionate puppy – you’re fighting off something you’re not sure you should be fighting off, and trying to quieten a voice you’re afraid will one day fall silent forever if you don’t pay it enough attention.

Throw the ball! Go on, throw it! Throw the ball! Throw the ball! Throw… *squirrel!*
Image: squidoo.com

Sometimes, though, it would be nice to take a rest and actually feel like you were taking a rest, to go home feeling, when you put the key in the door, like you were really going home, to a place where nothing can follow you. Even reading, these days, feels a lot like work (that doesn’t mean I’m going to stop, though, of course.)

When you’re learning to type (or, at least, when I was learning to type, over twenty years ago now), you’re taught about the ‘home keys’, where you’re supposed to rest your fingers between words. I still do this, and I find I do my best thinking while my fingers are sitting on ‘ASDF’ and ‘JKL;.’ I spend a lot of time with my fingers on those keys; it looks like wasted time, but it’s the furthest thing from it. Sitting my fingers into those familiar grooves sends my brain into a spin of plotting and planning, almost like flicking a switch; it’s like there’s a direct correlation between ‘at rest’ and ‘thinking’. Perhaps, then, whenever I’m away from the computer and my brain tries to settle into ‘rest’, my writing brain thinks of it as another form of ‘settling onto the home keys’, and starts to rev up the plotting engines.

The main problem with that scenario is, of course, that I’m miles away from my keyboard when this happens, and can’t do anything with all this effort. I wish, in some ways, that I could just turn it off. I guess once you stoke up those fires, though, it’s a dangerous and difficult thing to dampen them again.

Over the weekend, whenever I had a moment where I wasn’t actively engaged in doing something else, my mind was on ‘Tider’. I was thinking about it, picking it apart, pulling its plot threads to see if they held, dissecting its characters, their actions and reactions, their relationships and motivations, and trying to think about ways to edit the word-count while adding layers of subplot and interest. The book is almost where I want it, but there’s still something not quite right. I’m hopeful draft 5, set to begin today, will help me polish this story until it gleams, and root out anything that’s pulling the book back from being as good as it can be.

I hope, when this draft is finished, that I can use my home keys to let myself into a place where my brain can have a rest, instead of where it does its most intense work. Here’s hoping, right?

Happy Monday – I hope you’re holding steady.

Sir, Yes Sir!

I know, now, why so many people who aspire to writing never actually manage to achieve their aims. It’s not necessarily down to a lack of talent, or a dearth of ambition, or a shortfall in the amount of effort they put into it, but perhaps – at least, if I’m anything to go by – it’s because they try too hard.

Image: ecocatlady.blogspot.com

I’ve been working very hard on ‘Tider’ over the past few days. Since I finished draft 1 last Friday, I’ve managed to get to the end of draft 2, which involved making major content changes; I’ve also gone through the text again fixing and tweaking as I go, which I wouldn’t consider a ‘draft’, as such, but it was still hard work. It has been a challenge, and I am tired.

Even as I write all this out, I’m telling myself that it’s silly to do so much so quickly. I know, however, that there’s no other way I can do it. It’s they way I work, and has always been the way I work, to tackle a job head-on and to throw myself into it right from the start. I also have a hard time taking a rest until the job is done. Even as a student at school, I used to push myself to reach a certain point in my studies before I could take a break; if I didn’t manage to reach a certain chapter, or write a particular number of pages worth of work, or whatever it was, I wouldn’t allow myself to have a snack or go to the loo.

Who needs a Drill Sergeant when you do this to yourself?

Image: newgrounds.com

This is all very well when you’re preparing for exams, or when you have a major project at work that needs to be done, or when you have a manager or a boss breathing down your neck. Of course, I’m not saying it’s wrong to have a work ethic, or to be motivated to do a job quickly and to the best of your ability. I’m just not so sure it’s always easily applicable to the job of writing a book, which is something that requires perfect balance between a person’s body and mind, and which you can’t do if you’re tired or burnt out, and which you’ll find challenging if you’re screaming at yourself inside your head, urging yourself on to the next goal. ‘Get the Job Done!’ doesn’t always help you to achieve a delicate thing like creating, sustaining and finishing a story.

I know all this, but it’s hard to switch your mind from one ‘mode’ of working to another. I haven’t been successful, as yet.

There’s a lot about ‘Tider’ that I’m not happy with. I don’t like the ending – I seem to have a problem with endings, no matter how long or short the piece I’m writing is! – and there’s not enough peril; the stakes aren’t high enough for our brave protagonist. I’m still working through the challenges that come with writing a story which is narrated in the first person, where your protagonist has deliberately been kept in the dark about a lot of issues which turn out to be very important ones for her; as she learns, the reader learns. For a writer, though, trying to get this across without ‘info-dumping,’ or telling the reader too much in too blunt a manner, is difficult.

I think, however, for the sake of the book’s future, and in an attempt to make sure I don’t end up flinging the whole thing in the bin in frustration, I’d better take a step back and try to rest today. I know my brain will yell at me, and I’ll probably feel an inexplicable urge to stand to attention (though hopefully not to shave my head), but I’ll have to cope with that as and when it happens.

Ten… Hut!

Have a good Thursday. Try to take it easy on yourself, if you can.

 

Looking into the Abyss

As some of you will doubtless be aware, I am a person who is currently working on a novel. I am almost 58,000 words into that novel. Earlier this year, I wrote another novel (it came in at about 62,000 words, fact fans), and late last year, I wrote a third – the behemoth that was the first ‘Tider’ – which weighed in at over 150,000 words. I have written nearly 300 blog posts, many of which come in at around 1,000 words apiece.

That’s a lot of words, for one person, over the course of one calendar year. I’m not saying they’re good words, but still. I wrote them all. That counts for something. Right?

Image: wordmedia.co

There are times when I sit and think about my writing, and where I want to go with it. I know I love it, and I don’t want to stop, but one thing that bothers me very badly is: what will I do if I reach a point where I really, truly don’t have anything left to write about?

Everyone knows this quote: ‘And when you gaze long into an abyss, the abyss also gazes into you.’ This piece of wisdom from Friedrich Nietzsche has always interested me. It makes me think about how easy it is to allow yourself to get stuck into a particular way of thinking, and how hard it can be to turn your mind around when it over-focuses on something. Certain thoughts have that ‘abyss’ quality – you create a sort of ‘feedback loop’ inside yourself. You feed the abyss, and it feeds you.

If your abyss holds candyfloss and rivers full of rainbows, perhaps this isn’t such a bad thing. However, if you’re like most people, your abyss will tend to be full of nothing except darkness, and a howling wind will be licking its way around the sharp, pointed rocks that line it all the way down, like teeth around a gullet.

A writer’s greatest fear is lack of inspiration, I think. I tend to get a little worried when I read interviews with other writers where they talk about their ‘boxes’ full of ideas, or I see they’ve written hundreds of books already, or they mention that they have too many ideas to ever make use of during their lifetime. I get ideas, too, but not like that. Mine don’t come to me in a torrent, leaving me grabbing frantically at them in an attempt to salvage as many as possible before they get washed away. It’s more gentle than that – they come, dropping slow, into my brain every once in a while, in a completely unpredictable way. I have a list of ideas saved on my computer, but I don’t have hundreds of them, by any means. I have some, and I hope to have more eventually. I guess I’m not one of these people who is overrun with inspiration, so blessed by the Muses that they can’t get out of bed in the morning because their brain is too full; every time a flicker of an idea suggests itself to me, it’s a cause for celebration. I work hard to keep my eyes and ears peeled for ideas, and I work hard to craft them into sentences and – sometimes – into stories or even novels. It’s not an easy thing.

My abyss laughs up at me, in all its emptiness. It says ‘I have nothing. There’s nothing in here! Go on, have a good look. Shine a light into all my nooks and crannies. You won’t find anything, trust me.’ The abyss I can’t stop myself from looking into is the death of my inspiration. It’s the abyss of fear that, one day, the ideas will stop coming, and that if this does happen, I won’t have any idea what to do next.

Image: onthebridgeway.wordpress.com

I hope to finish my current book in the next couple of weeks. I already have my next project lined up, and when I finish that, I intend to redraft the book I’m currently working on with a view to getting it ready to submit. I have a book doing the rounds at the moment, and who knows but I’ll pick up some agent interest from that. I’m keeping busy, and so far this has stopped the abyss from chewing me up and spitting me out. I’m not sure if I can keep doing this forever, though. Once all my current projects have been completed, I am very afraid that there will be a hole in the road, or a wall of nothingness across my path. I dread the feeling of ‘not knowing’ – not knowing whether any of what I’m doing has a point, or whether any of it is worthwhile, or whether there is a way to bridge the gap.

I have to keep remembering a few truths about life. The first truth is: ideas are everywhere, and the only way to miss them is to stop looking. The second is: nobody really knows what they’re doing. Some people are better at pretending they do than others, but in reality we’re all just doing our best to get along. The third: there is no such thing as an inescapable abyss. The fourth: help is always there when you need it.

The fifth: the world is packed full of wonder.

Happy Friday. Keep your eyes on the road ahead, and don’t let anything knock you off your stride.

Image: pdpics.com