Tag Archives: writing project

NaNo, NaNo, NaNo, NaNo, Batman!*

So, in honour of it being Friday, here’s the first chapter of my NaNo project. It’s labouring under the title ‘Emmeline and the Ice-God’ right now, but make no mistake: that cannot last. It is a mere placeholder for a title so brilliant it will turn the brains of all who read it into lumps of solid gold – but that title has yet to reveal itself to me, alas.

Also, I beg your indulgence. This is a first draft, and it’s an idea which I haven’t fully plotted out yet, and so bubbles – like those in freshly hung wallpaper – are inevitable. Be kind.

 *Batman not included

Image: agefotostock.com

Image: agefotostock.com

Emmeline and the Ice-God

1

From an early age, Emmeline Widget had been certain her parents were trying to kill her. Oh, they weren’t blatant about it, of course – there was none of this ‘surprise! Here’s a dagger in your breakfast!’ carry-on – but the signs were there, all the same. For a start, they insisted on living in a crumbly old house with a multitude of staircases – hidden and otherwise – all of which had at least one trick step which led, pretty quickly and rather painfully, to the cold stone basement floors and floors below. As well as that, there were an indeterminate number of rooms, and sometimes Emmeline even felt sure extra ones appeared out of thin air merely to be troublesome. She’d lost count of the amount of times she’d dodged falling picture frames, each of them heavy enough to crush her flat, or hopped out of the path of toppling suits of armour big enough to fit a giant. Because of all this, she never went anywhere inside her house – not even to the bathroom, not even for a pee – without a flashlight, a ball of twine and a short, stout stick.

Outside wasn’t much better. The garden was overgrown to the point that entire buildings – the summerhouse, the boat house, and the greenhouse – were lost forever amid the foliage, and a roaring river ran right at the end of their garden, sweeping past with all the imperiousness of a diamond-encrusted duchess. Emmeline lived in fear of falling in, so much so that she never ventured outside without a long-bladed knife (for taming the trees), a flare-gun and an inflatable life preserver (really a large hot water bottle, but let’s not nit-pick.)

Because of all this, Emmeline spent a lot of time in her room, reading. Wouldn’t you? I know I would. She had a lot of reading to do, too – her parents had never bothered to engage a governess for her, you see, and so she’d never been to school. She’d reminded them once, when she was about six, that she was entirely lacking in the education department, and they’d promised her the best teachers money could buy, but Emmeline was still waiting. So, she read whatever she pleased. She’d devoured H.P. Lovecraft and H.G. Wells by her third birthday, and had moved on to digest Dickens and Hawthorne and Austen and all the Brontes by four; by five, she’d decided she needed a rest from all the heavy stuff and had read nothing but books about sparkly-hooved unicorn princesses for an entire year, despite the fact that they bored her silly. Now, at nine and two-thirds, she was coming to realise that the only way to read the book she most wanted to read would be to write it herself, which meant that wherever she ventured – Outside or In – she carried her journal with her, too. Thick and bound in leather, with a gold lock, Emmeline would rather have gone without socks than to be separated from it.

All of these necessities, of course, meant that she was never without her large and rather bulky satchel, either, but she never let that stand in her way.

And it probably hasn’t escaped your attention – for you’re one of those readers who never misses a trick, I can tell already – that Emmeline didn’t have very many friends. There was the household staff, including Watt (the butler) and Mrs Mitchell the cook, but of course they didn’t really count, because they were always telling her what to do and where to go and not to put her dirty feet on that clean floor, thank you very much. Her parents were forever at work, or away, or off at conferences, or entertaining – which Emmeline hated, because sometimes she’d be called upon to wear an actual dress and smile and pretend to be something her mother called ‘light-hearted’, which she could never understand – and so she spent a lot of time on her own. This suited her fine.

One day, then, when Emmeline came down to breakfast and found that her parents weren’t there, she didn’t even blink an eye. She hauled her satchel up onto the chair next to her and rummaged through it for her book, glad to have a few moments of quiet reading time before her mother started finding fault with her again.

She was so engrossed in the story that she didn’t even look up when Watt slunk into the room bearing a small silver platter in his neatly gloved hands, upon which a small white envelope was sitting. He bent at the waist, also neatly (because when you’re a butler, everything you do is neat) and left it down in front of Emmeline, who finished reading right to the end of the chapter before she looked up and noticed that she had received a piece of Very Important Correspondence.

‘What on earth is this?’ she asked the now-empty room. All the answer she got was the gentle pock-pock-pock of the clock as it ticked away the seconds.

She fished around in her satchel for her bookmark, and carefully placed it between the leaves of her book. Carefully, she closed the book and slid it gently into the satchel again, where it glared up at her reproachfully until she flipped the satchel closed.

‘I promise I’ll be back to finish you later,’ she reassured it. ‘Once I figure out who could possibly want to write to me.’ She frowned at the small white envelope, still lying on its silver platter, which was very clearly addressed to Miss Emmeline Widget. Private and Confidential, it added, for good measure.

Just because it happened to be addressed to her, though, didn’t mean she should be so silly as to actually open it.

But, said another little voice in her head, it’s the first time in all my life that anything has ever been delivered, just for me…

In the silence of the large, empty room, Emmeline flipped open her satchel again. From its depths, she produced a tiny, stoppered bottle, within which a viciously blue liquid was just about contained. She carefully tipped the bottle until one solitary drop hung on its lip, and then – very very carefully – she let the drop fall onto the envelope.

‘Hmm,’ she said, raising an eyebrow. ‘That’s odd.’

The liquid didn’t smoke, or fizz, or explode in a cloud of sparkle, or indeed do anything at all. It just sat there, like a splodge of ink, partially obscuring her name. Now, the letter appeared to be addressed to someone named Emme Idget, which, Emmeline felt, wasn’t a much better name than her own.

‘If you’re not poisoned,’ reasoned Emmeline, quickly putting away the bottle (for its fumes could cause dizziness in enclosed spaces, like breakfast rooms), ‘then what are you?’

In the side pocket of her satchel, Emmeline always carried a pair of thick gloves. She put these on, and then she picked up – with some difficulty, it has to be pointed out – her small butterknife. With this knife, she carefully slit the letter open, keeping it at all times away from her face.

A thick sheet of creamy paper slid out of the envelope and onto the silver platter, followed by a stiff piece of card bearing gold embossed writing. Emmeline, who’d been holding her breath in case the act of opening the envelope had released some sort of brain-shredding gas, spluttered as the first line of the letter caught her eye.  As quickly as she could, given that she was wearing gloves more suited to cutting down brambles than reading letters, she put aside the piece of card and grabbed the letter, trying to be sure her eyes hadn’t been adversely affected by any sort of poison or concoction, and she’d read what she thought she’d read.

She had.

Here is what the first line of the letter said:

Dearest Emmeline, it began.  If you are reading this note, then in all likelihood, you are now an orphan.

 

*cloak flourish* To Be Continued…


Ode to Joy

If you’re interested in writing, and you think you’d like to do NaNoWriMo but you haven’t signed up for it yet, then I have two words for you.

Do It.

Image: steventallow.com

Image: steventallow.com

Well, actually, I’m not sure if it’s possible to sign up now that November has started, but if it is, then I recommend you go for it as soon as you possibly can, and if you can’t sign up this year then make sure you sign up next year. I’ll see you there.

Writing 50,000 words in thirty days is nothing to sneeze at, of course. It is a commitment, and it’s not exactly a walk in the park. But – and this is a big ‘but’ – it is absolutely possible to achieve. Really.

I realise I’m speaking as a person who is only one-fifth of the way through this particular challenge, but I am filled with certainty that I can see it through. The reason I know is because the first ten thousand words of my NaNo project are now under my belt, and they have been so much fun to write.

Image: flickr.com

Image: flickr.com

I broke the 10K yesterday, and it felt amazing. It didn’t feel amazing because I had hit 10,000 words, or because I had struggled my way to that point, or because now I’d made it there I could stop and take a rest; it felt amazing because I know there is so much more still to come, and I can’t wait to keep going.

Normally, when I’m writing, I feel under pressure. I feel squashed beneath my own self-imposed deadlines, or I am actually working to a deadline – whether it’s for a competition, or a particular submission opportunity, or whatever – or, for some other reason, I am screaming at myself to get the job done, as quickly as is humanly possible. For NaNo, even though I am also working to a ‘deadline’ – i.e. if I don’t finish my 50,000 words by November 30th, I won’t ‘win’ – it feels completely different to anything I’ve written before. My NaNo project is for fun; it’s an idea that I’m working through as I go. It’s something I’m discovering as I write. If it works, that’s amazing – I can take the first draft which, hopefully, will be completed during the next month and make something out of it – but if it doesn’t work, then that’s fine too.

I am allowing NaNoWriMo to remove some of the pressure I normally put on myself when I write, and I am rediscovering the reason I do any of this in the first place.

It’s because I love writing as much as this cat loves this dog. More, maybe.

Image: dashburst.com

Image: dashburst.com

Over the last while – probably because I’ve been getting involved with agents, and large competitions, and attempts to get my stories published, all of which have gone nowhere – I’ve been feeling a bit disheartened about my writing. I’ve been working as hard as ever, and putting as much of myself as possible into it, but there’s been a sheen of desperation and panic over everything. I didn’t always sit down at my desk in the morning full of enthusiasm and pep, ready to start the day; putting words on paper wasn’t always a labour of love, and as my stress levels rose so my happiness diminished.

That was my own fault. I let that happen. I allowed my love for words and my desire to write be overtaken by the strain of actually writing – because wanting to write and actually doing the work are two different things – and I began to forget why I ever bothered getting started. It’s easy to fall into this way of thinking, and I should’ve been aware that it could happen. I should have been on my guard. It’s no wonder that despair is never far from the shoulder of anyone who labours away, alone, at something they love; when you invest so much of yourself in what you do every day, a certain amount of disappointment and frustration is inevitable.

That’s no excuse to let it scupper you, though, or to allow it to erode your joy.

So, that’s why I’m so grateful to NaNoWriMo, and why I’m so glad I signed up. If I hadn’t decided, on a whim, to take part this year, I wouldn’t now have 10,000 words of a new project completed. I would never have met my sparky little heroine, and her story would never have started to unfold in my mind. And I might have forgotten how it felt to click ‘open’ on your Work in Progress document of a morning and be met with a wave of excitement and happiness instead of pressure and fear.

If you’re taking part, come and join me – here‘s my participant page, where you can add me as a writing buddy. If you’re not taking part, come and have a look anyway. Every drop of support will help me to reach my wordcount, and I’ll be forever in your debt.

Whatever it is you love, or whatever it is you do, try to remember why you love it so much and never, ever take it for granted. (Actually, that goes for people, too.) Joy needs to be nurtured, and fear can drive it out. Whatever it takes for you to recapture your joy, then go for it. For me, it was remembering how much fun writing can be. What’ll it be for you?

 

Spooktacular!

It’s Hallowe’en again!

Michelle Pfeiffer, you're looking well!  Image: fanpop.com

MWAHAHAHAHAHAAAA!! Image: fanpop.com

The older I get, the more I enjoy this ‘holiday’, if it can be called that. I have had my little goodie bags wrapped up and ready to go for almost two weeks, awaiting our hordes of teeny tiny callers later tonight, and we have actually decorated the house this year. I know, I know, we’re falling for the hype – blahdiblah – but really. What does it matter if we’re helping a few local kids have a good time? Not to mention, of course, that it’s a whole lot of fun for us, too. Last year we had a tiny speck of a child, barely able to totter on her little feet, dressed up as a pumpkin. A pumpkin. I have yet to see anything cuter. (She got two goodie bags, but don’t tell anyone.)

Image: decorationforlife.com

Image: decorationforlife.com

Before all the fun begins later tonight, though, I have a lot to do. I am still trying to work out a story for the Walking on Thin Ice Short Story Contest, which I may have mentioned once or twice in passing (have you entered yet? Get on it!); writing my entry is proving a little more complex than I anticipated. I’m not sure why, because the theme is something about which I feel strongly. Perhaps, indeed, that’s the problem – I am too emotionally invested in the idea of mental health, and the oppression of those who suffer due to their mental health. I want to write a story which is authentic and which says something, not only about me but about the ethos of the competition, and it’s not as easy as it looks. I’ve written two stories now, and drafted them both at least ten times, but they’re still not right.

Sigh.

Anyway. Tomorrow is the start of NaNoWriMo – which is terrifying and brilliant in equal measure – and I’ve been thinking a lot about my project over the past few days. I’ve managed to plot out a little more of the story, but there’s still a huge Terra Incognita in the middle, between our heroine’s dramatic escape and the tension-filled dénouement; I’m hoping that the story will tell itself as I go. It’s a foolproof plan. It couldn’t possibly go wrong. Right?

One thing I do not have yet is a title for this new opus.

How about…

THE ICE KING

Nah. Or maybe…

THE CREATURE IN THE NORTH

Too general? How about…

THE WHITE FLOWER AND THE FROZEN GOD

Too long and complicated? Sheesh. Coming up with titles is thirsty work.

If you have any suggestions, let’s hear ’em. You might have guessed that the story will involve ice, north-ness, and frozen stuff. Oh, and a little girl called Emmeline Widget, just because.

Good luck with your entries for the Walking on Thin Ice Short Story Contest (I haven’t forgotten, you know), and with everything else you may be getting up to on this fine autumnal Thursday. I hope you have a scarily wonderful day!*

Image: goodhousekeeping.com

Image: goodhousekeeping.com

*Apologies. I couldn’t resist. Have a great day, if you prefer.

Wednesday Write-In #44

This week’s words were:

sunshine  ::  glass eye  ::  connection  ::  golden gate  ::  lisp

Reliquary

‘We have to let some light in here,’ said Martha, wading her way to the window. ‘My goodness. What a place!’ She grabbed a handful of the ancient curtain, receiving a faceful of dust for her trouble. Her cough rattled as she yanked the filthy drape open, but she didn’t let it put her off; within minutes, a faint haze of sunshine began to struggle in, reluctantly, as though it wanted to be there about as much as we did.

‘Wow,’ I said, looking around. ‘Have you ever seen anything like this?’

I took her shocked silence as a ‘no’.

There was nothing for it. We were here to do a job, and standing around gawping at the scale of it would get us nowhere. We’d left our equipment – gloves, masks, dusters, cloths and the like – out in the hallway, along with our industrial Hoover and Martha’s own cleaning fluid, her secret formula which had, apparently, never been known to fail. Secretly, I reckoned this place would be its ultimate test, but I said nothing. We set to it, trying to be systematic as we worked. I took one side of the detritus-mountain, and Martha the other.

‘What sort of person lived here?’ I asked, incredulous, after about half an hour. I straightened up, holding an illegible school copybook older than Martha and I put together in one hand, and a filthy, withered leather dog lead in the other. ‘I mean, there’s no connection whatsoever between the things I’m finding.’ I blew a stray lock of hair out of my eyes, feeling it stick to my sweaty skin. I saw my plastic gloves were already coated with grime as I chucked both objects into the nearest rubbish sack.

‘That’s the nature of people who hoard, though,’ called Martha. I couldn’t see her – a tower of newspapers stood between us. ‘The things they keep only make sense to them. You know?’

I understood what she meant, but I still couldn’t wrap my head around actually living like this. An elderly, recently deceased, man had owned this flat; his niece had hired Martha to clean the place up so she could sell it and get on with her life. She wanted to keep nothing, apparently. I just hoped we’d be able to get the job done quickly – this kind of thing was way out of my comfort zone. I’d only agreed to help Martha when she’d begged me, putting on her little-girl lisp and fluttering her eyelashes.

‘Shelly,’ called Martha, suddenly. ‘Holy… Get over here! You’ve got to see this.’

I dropped what I was doing and began the trek to the other side of the room. I could see Martha crouched down, her attention pinned to whatever she was holding in her arms. It looked like a wide, shallow box, made of dark wood.

‘My God!’ I breathed as I drew near. ‘Is that…’

‘A glass eye collection!’ she confirmed. ‘Look! There must be eighty here. More, maybe.’ My flesh juddered as I looked at them, gleaming up at me from their dark graves, each one neatly placed and exactly aligned. Every colour imaginable was represented, and – weirdly – they were smaller than you’d expect. My stomach flipped as I realised what it might mean. Glass eyes for kids, I told myself. Gross. Something about it just seemed unsettling. They’re for dolls, I told myself. Stop freaking out.

‘That could be worth money,’ I said, my voice low. Martha threw me a look, her eyebrow raised so high it almost disappeared under her regulation plastic cap.

‘I’m just sayin’,’ I laughed. Martha snapped the box shut, and placed it carefully to one side. I followed its movement with my eyes, and that’s when I saw the glint – barely there, but it was enough to grab my attention. I knelt, and carefully excavated through the piles of crumbling magazines and moth-eaten cushion covers that surrounded whatever I’d seen.

‘What have you found?’ asked Martha, vacantly. She was distracted by a pile of old VHS cassettes, and seemed to be trying to work out what was written on their spines.

‘Something… gold,’ I said. ‘But not gold gold,’ I added, as Martha jumped to attention. She was interested enough to flop down beside me, all the same, and together we gently prised the mystery object out of the hole it had lived in for God knew how many years.

‘What am I looking at?’ I asked, once we’d freed it. It looked like nothing more than a tiny plastic house, moulded as a complete unit; its neatly pitched roof had a yellow chimney, and each window bore a pair of blue, unmoving curtains. Amazingly, a miniature golden gate, fragile as a wish, surrounded the whole thing; it bounded a perfectly square patch of plastic grass, which came complete with painted flowers. The house was faded and battered, but somehow the gate still gleamed.

‘How can you play with that?’ I asked, turning it over in my hands. ‘What a useless dolls’ house. Nothing moves!’

‘It’s a collection box, I think,’ said Martha, gently taking it from me. As she carefully examined it, she eventually thought to turn it upside-down. ‘Hey, look! It’s only got a rubber stopper. Let’s see what’s inside.’

Before I could say anything, she’d pulled aside the tiny, perished gatekeeper, and a long-shut door opened. The contents of the box spilled out over her hand, between her fingers, in an unstoppable stream.

‘Jesus Christ!‘ she screamed, getting to her feet; she saw it straight away, but it took me a long time – too long – to work out what I was looking at. They seemed almost innocent, you see, pearly-perfect amid the dust, this pile of tiny milk teeth claimed from many tiny mouths. How many, I couldn’t say. Too many, was all I knew.

I felt the room swim around me, and the walls fall on top of my head.